Toh Hong Rui

Singapore

Founder and editor-in-chief. Tries to enjoy all genres equally, but often drifts back to Iron Maiden and Bruce Dickinson. Enjoys the occasional untr00 and un-kvlt genres.

Most commented posts

  1. Your Introduction to Black Metal in Singapore — 20 comments
  2. Views from the Pit: Iron Maiden – The Final Frontier tour 2011 — 15 comments
  3. HMT Interviews: Witchseeker — 3 comments
  4. Interview with Demonic Resurrection — 3 comments
  5. Album Review: Arbogast – I — 3 comments

Author's posts

Aorlhac – L’esprit des vents

The French black metal scene of late seems to have been  divided into two main factions – the already very familiar dissonant style fronted by bands like Deathspell Omega and Blut Aus Nord, and my recently discovered atmospheric style of bands like The Great Old Ones. Aorlhac’s musical style leans more towards those of the latter with their third full length album, L’esprit des vents, their first post-reunion release.

Kosmogyr – Eviternity

Kosmogyr is an atmospheric black metal duo that features members from Prague and Shanghai, two countries with cultures that can’t be more different from each other. This leaves one to wonder what they might sound like on their debut full length release, Eviternity. Would the band sound more like the raw style of bands like China’s Skeletal Augury, or lean towards the occult of Czech Republic’s Cult of Fire?

Monolithe – Nebula Septem

With a refreshed lineup, France’s Monolithe returns with their seventh release, Nebula Septem. The album’s theme revolves around the number seven, with 7 tracks that are 7 minutes each, and a lineup that boasts 7 members. Gimmicks aside, would the band impress? Fortunately so, as they unleash 49 minutes of pure, dark, doom metal.

COEN – Remnants of Yesterday

Singapore’s progressive metal band COEN claims Dream Theater to be one of their main influences on their debut album, Remnants of Yesterday. The band even features Jordan Rudess on a track, but are they able to live up to expectations?

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