MUWW Special: Interview with Ilemauzar

5years since the return from their hiatus, Singaporean black metal band Ilemauzar managed to put themselves on the international metal scene, performing in such places as China in support of their debut album, The Ascension. We catch up with Mike to learn more, and what to expect this 5 May.

Greetings Mikael, thanks for taking the time to talk to us. The band’s debut full length album The Ascension was released back in 2016. How was the response upon the release back then?

Hi HMT! Nice to talk to you guys again. We launched “The Ascension” in September 2016 and did a launch party at Hood Bar and Café with a pretty decent turn out and sold quite a good amount of merchandise during the show. We also had very good presale orders before the launch and pretty much depleted all the merchandise we had from our side. People are still asking for the CDs and T-shirts till date. We also have our stuff distro out by our previous label, Sepsis Records in many parts of Indonesia. Our current label, Transcending Obscurity also sent the album out for reviews and we have pretty much 90% positive reviews from a few webzines.

The band is currently signed to Transcending Obscurity, which is also the label for local bands Rudra and Assault. How did the deal come about, and how was the experience working with them?

Rudra went into the label first and followed by Assault. I got introduced to the boss of TO by Clarence. And that’s how we started talking about the deal for Ilemauzar. Kunal Choksi is a very hardworking person and a really great label owner. He went all out and send Ilemauzar’s debut for review even though it’s not released by Transcending Obscurity. Totally blown away by his dedication and the way he is helping all his bands!

The band was formed back in the 1996, with a 3-track demo entitled Pit of Despair released in 1997. Are there any plans to re-record the tracks from the demo in the near future?

Hmmm… maybe, but will need to make some improvements instead of recording directly like how they were originally recorded. Probably on an EP. However, we are looking at Ravage Records doing a reissue of the 3 track demo somewhere in 2018.

The band split up and went on into a hiatus in 2000 and only came back in 2013. Looking back, would things be different for the band if there was no hiatus back then?

Hahaha! This is one question I did ask myself back in 2013 when the band first came back. But my conclusion, the band will not exist today if I had continued. If you look at it, many active bands in that 1999 – 200X era are gone. Reason being it’s hard to be 100% active when you are just out from National Service with no stable finances to sustain the band. You get really tired after a while and just leave the band aside. No difference from a hiatus.

Ilemauzar at The Ascension Asia Tour in Zhuhai, China

Let’s talk about your latest album, The Ascension. Could you tell us about the background of the writing process for this album? Based on the album credits, it seems like there were a couple of musicians involve in the song-writing process who are currently not in the band.

The Ascension was written between 2013 – 2015. We have many line-up changes between that period thus you see the many different musicians who actually contributed their idea to the tracks. But I am still the main song writer for “The Ascension”.

It’s been 2 years since the release of your debut album. Is the band currently working on the follow-up to The Ascension?

Yes. We have completed the song writing portion and going into lyrical phase for the next full length. Hopefully we can enter the studio by June or July and get it released by end of 2018 under Transcending Obscurity’s flag! Title to be announced.

The band has been around since the early 90s. In terms of the local scene, how has it changed?

I am not going to lie about this one but if you look at the 90s, local metalheads are very enthusiastic about attending local gigs. We have seen local gigs with attendees of more than 500pax before. Today, it’s very difficult to even getting 100pax to come to a local metal gig. Sometimes, you can’t even have 100pax for a touring band from Europe or US. The metal scene in Singapore has changed over the years from people supporting almost every show to cherry picking shows to support. But we can’t blame anyone for this because our living standards in Singapore is so freaking high that people can’t possibly support every single show anymore.

Ilemauzar, 2017

Let’s talk about the band line-up. I understand that bassist, Azazel joined the band last year. How did that come about?

We had been playing without a bassist since end of 2015. We did the Ascension Asia Tour without a bass player. But we have been in contact with Azazel aka Zeon for a long period time and in actual fact, he was supposed to join us in 2016 but due to his work commitment and him newly relocated to Singapore from Penang, he has to put it on hold. But he has proved to be a great addition to the band.

Ilemauzar will be performing at the upcoming Metal United World Wide on 5 May alongside other notable local metal bands. What can fans expect from the band?

We are still playing the same old shit like previous gigs. Hahahahaha! But of course there will be some minor changes to the set-list. And no, we are not going to preview any new songs from the upcoming full length. But, we will still put up the best performance. 101% effort!

Any last words for your fans?

Buy your tickets to Metal United World Wide, Singapore!

LET THE SACRIFICIAL BLOOD BE SERVED!

Catch Ilemauzar, and many other quality Singaporean bands this May 5 at the inaugural, Singapore edition of the Metal United World Wide. More details at this location.

 

MUWW Special: Interview with Asilent

With a name as such, one wouldn’t expect anything less than total gore and brutality from Singaporean death metal outfit Asilent. Having ply their trade for more than 10 years, the band released their sophomore full length The Unconsecrated last year, and are ready to suffocate you this May 5 at Metal United World Wide, Singapore. We talk to them to find out more.

Greetings Asilent, thanks for taking the time to talk to us. The band was formed all the way back in 2004, making this the 14th year of its existence. Tell us origin story of the band, and how the band’s name came about.

Fiaz:  What’s up guys, thank you for taking the time to talk to us. Asilent orginally was just a side project, at that point I was playing bass in another band at that time but my ultimate love was still Death Metal, Brutal Death and Grind music. I got together with some close friends and formed Asilent. The band name came about when I was sitting around playing around with words and voila the name Asilent was created. The name Asilent is the total opposite to the kind of music we play lol.

Nizam: Well, I came in as a sessionist for their Undead Infesting Indonesia Tour & eventually joined the band when their guitarist had to leave due to some personal reasons. From there we had some line-up changes and in the end it all comes down to the magic number of 3 haha.

What was it that sparked the love for brutal death metal in each of the members?

Fiaz: It has been something we love for a really long time now, the sheer aggression, heavy guitars, fast paced heavy drums, growling low guttural vocals is so beastly and it keeps our adrenaline going every time we listen to it or play it. So it did not really spark us but more of we love it all this while.

Nizam: The combination of heavy tunes, gore vocals and the irresistible urge to bang your head against the wall are needed to spark the love for this genre.

The band released its sophomore full length last year, The Unconsecrated, to raving reviews. The band’s music has been described as being similar to such legends as Devourment. How did the style of the band come about, and who are some of your influences that may surprise listeners?

Fiaz: Thank you for the kind compliment, means a lot to know our hard work is appreciated. Honestly, all of us have a diverse musical influences, from rock to chill hop, punk, house music etc. lol. Our ultimate love is still brutal death metal, death metal, thrash metal and grind core. We combined what we enjoy listening to into our music and that is how we sound like now.

Nizam: I roughly knows the style of the band when Fiaz introduced me to some of his influences, I’m much more to the old school death metal bands like early Suffocation, Morbid Angel, Kataklysm, Nile & etc. so when we did some brainstorming on our music composition, I tried to implement some of my ideas into the songs & try not to stray away from the original style. There’s quite a big difference if you hear our previous album and to the Unconsecrated but we still maintain the brutality and heaviness of our songs.

The band’s lyrics also revolve around lots of gore, zombie, and sounds like a brutal death metal soundtrack to a post-apocalyptic film. Where does the band get inspiration for its lyrical content?

Fiaz: Our lyrical content tackles modern issues but in a post-apocalyptic gore audio form. We have always enjoyed horror / gore music and films. Nizam came up with the idea of making this album the beginning of an undead post-apocalyptic audio film (concept album). He has always been a fan of how King Diamond made each album tell a different story. He proposed the idea of doing something similar. We loved it and decided to roll with it.

The album was also mixed and mastered in Jakarta’s Cubicle Studio. What was it that made the band decide to have this done in Jakarta?

Fiaz: Our drummer Alvin is from Jakarta Indonesia. It is easier for us to fly to Jakarta to record with him rather than having him come here to do it. Jakarta is like home to us, going back there doing music related stuff and meeting friends there is always a blast. The owner of Cubicle Studios Mr Erikson Rudy is an old friend of Alvin and they have worked together on other projects before. So we decided to get our album done in Cubicle Studios and it was amazing working with Erik.

As of last October, the band has been seeking labels for physical presses of the album. How has the search been so far?

Fiaz: Honestly, not too good. An Asian band to break into the International Extreme Music market is really difficult. Sacrifices have to be made in order to get great returns. Asilent had so much downs over the years that did not allow us to infiltrate the European Market earlier by setting up tours and shows before. Now with the 3 of us, same mindset, passion and drive, we are setting out to establish ourselves and getting recognition for our effort that we put out. Not having a label interested in releasing our album does not deter us. We will keep moving forward and release it on our own. Keep playing shows, keep touring and eventually, our hard work will pay off.

Asilent @ Noxa Fest 2017

This May 5 at the Metal United World Wide show will be the band’s final local show of the year. Having been around for more than 10 years, how has the scene changed over the years?

Fiaz: The scene honestly has changed a lot in terms of musical preference. The music that some bands put out evolves as time goes and some bands will still stick to the style they believe in. Music gets mash together into a different genre, creating a new entity. Waves of followers will jump on the hype train. Bands come and go, amount of new bands increases, old bands reform, project bands happen and that pretty much sums it all up.

Nizam: Yes there have been a lot of changes in the metal scene. Although we are in a very small community but I do have to say nowadays we were quite fortunate to have a lot of gigs/concerts where we could see some of our childhood bands that we’ve grown up with in action. However there are lesser supporters compared to the old times but I kind of understand as we aged, we have many commitments in life that hinder us in our musical activities. Our only hope is that the next generation will continue the scene to a better and thriving status.

What are some of the interesting encounters that the band has had over the years performing in different countries, on different stages?

Fiaz: Travelling and performing in different countries is always an amazing experience. You get to experience new traditions, culture, see new places and faces. Make new friends, see old friends, make new fans, the appreciation and love you get will keep you going no matter how tough the going gets. One of the most interesting encounter we had was performing in Solo, Indonesia. Apparently the dressing room we were in, the night before there was a black metal gig so they did a ritual in the dressing room. There were ashes, flowers and a rotten stench lingering all around. It was crazy, we wanted to just play the show and get out of there pronto ahahah.

Nizam: I still remember the raid by the Islamic government group in our hotel. It was during our New Year’s Eve show in Kuala Lumpur, Malaysia with Wormrot. Wormrot got taken into jail just because a group of friends, guys and girls are hanging out in a room and it was deem illegal.

Also, with the intensity of the band’s brand of brutal death metal, what are rehearsal sessions like? How does the band prepare for its live performances?

For us rehearsals work entirely different. As mentioned before our drummer Alvin is based in Jakarta, Indonesia. We have his drum tracks on mp3 format, we will plug it into the jamming studio’s PA system and will jam together with it. When Alvin is here or when we fly over to Jakarta for shows, we will jam it out together. Jamming is not as often but we love working with Alvin and would not change the formula of this awesome relationship.

The band will be embarking on a European tour this coming August/September. How did this tour come about?

Touring has always been the main priority of Asilent, the only problem we had before was the constant change of band members or band members that could not commit to touring and performing overseas shows. It was a huge obstacles in terms of progression for the band. The three of us now have the same goal / mindset and we are constantly looking to tour and play live shows. We decided about 2 years ago during The Unconsecrated album recording phase that the Europe Tour needs to happen and we planned for it in 2018. Fiaz got in touch with all the Europe contacts he had and also with Azean’s help (Doomstar Booking Agent), the tour manage to finally take shape and it is happening this year in Late August / Early Sept.

Asilent 2017

Catch Asilent, and many other quality Singaporean bands this May 5 at the inaugural, Singapore edition of the Metal United World Wide. More details at this location.

MUWW Special: Interview with Meltgsnow

Local gothic/dark metal band Meltgsnow finally breaks their silence this year at the Metal United World Wide, their first local show in a couple of years now. We catch up with Dannie to learn more about the status of the band, and whether we will get to hear any new material from the band soon.

Greetings Dannie, thanks for taking the time to talk to us. It has been quite a while since we last spoke to you. How are things going over at the Meltgsnow camp?

For us meltgsnow, it has been a roller coaster ride especially now, as Zack, Adrian and Fye (who re-joined us since mid-2017) are based in Bangkok, Thailand. For myself, besides traveling back and forth Bangkok for rehearsals, I am busy focusing on my new band in Singapore, of which we have recorded songs that are way different, heavier and harder from what I have done with meltgsnow.

While the band was formed in Singapore, it is now based in Thailand. What was the reason behind the relocation?

It began way back in 2004, when Fye left us (when we were having a great run on touring). He decided to relocate there for greener pasture, Zack followed him in 2009 and so did Adrian, in 2015.

The band’s comeback gig was last year in Bangkok as well. How was the reception of the band there?

It was a “for fun” kind of gig in September, however, due to unforeseen circumstances, mother-nature decided to bring massive flooding and hence, the organisers had to delay the start of the show and we did not manage to have the crowds coming in till very late. However, we had fun performing especially to those who flew in from Singapore, we appreciate their mighty presence and support.

Sharing the stage with us, we had great Thai pioneer bands such as Carnivora and Nerve, we also had Truth Be Known flying in, and they destroyed the place as usual!

Meltgsnow in Bangkok, 2017

With the band having been rather quiet for a couple of years, what was it like to perform on stage again?

Performing on stage, to us, was like unleashing the inner demon in us and the adrenalin rush was definitely unexplainable. It felt great to be on stage with the original members of meltgsnow once again and me, smashing my head with the mic.

There has also been a slight shift in the lineup of the band. Could you give us an introduction to the current lineup, and how it came about?

We have gone through too many line-up changes after Fye left us for Bangkok. Since, all 3 of them are based in Bangkok, they have been rehearsing together in Bangkok since 2015, until late 2016, Zack proposed that meltgsnow resurfaced with Fye re-joining in mid-2017 and I had to put in the effort to travel back and forth for rehearsals.

Currently, we got Zack on guitar, Adrian on drums and back and best at it, is Fye on bass, we are the original line up of 2001.

Meltgsnow 2017

Meltgsnow 2017

The band will finally be gracing the Singaporean stage this year with the upcoming Metal United World Wide gig, and we are certainly looking forward to it. How did Meltgsnow come to be part of the lineup?

We are definitely looking forward to it. Strangely Fye came to hear about this and discovered that Vent Box in Singapore is organising it and frankly, I felt, why not we give it a shot and I checked in with Subash from Truth Be Known if we old farts are able to make an appearance. And we thank Mikael Loh for the opportunity. \m/

What can fans expect from the upcoming show?

Honest intense metal, our heaviest set-list ever, with a cover, paying tribute to the late Jeffrey John Hanneman from Slayer.

The last we heard from Meltgsnow was in the form of the 2010 full length, Black Penance. Can fans of the band expect to hear any new material from the band any time soon? What will be the musical direction for the band’s new material, musically and lyrically?

Interesting that this came up, and yes, we are working on new materials and we are going back to our basic roots of metal. It will be a lot heavier than Black Penance.

Catch Meltgsnow, and many other quality Singaporean bands this May 5 at the inaugural, Singapore edition of the Metal United World Wide. More details at this location.

MUWW Special: Interview with Assault

Singapore’s melodic death metal darlings Assault has come a long way since their humble beginnings in 2006. With their debut full length release, The Fallen Reich, finally dropping last year via Transcending Obscurity, the band has upped their game, supporting the album with numerous shows locally, and around the region. We catch up with them, in anticipation for their, erm, assault on our senses this May 5 at the inaugural Metal United World Wide, Singapore edition.

Greetings Assault. It’s been a long time since we’ve last had you here on Heavy Metal Tribune. The band’s debut full length album, The Fallen Reich was released last year via Transcending Obscurity Records. How has the reception of the album been so far?

Clarence: The response of the album has been really positive so far. We have received lots of album reviews from online magazines worldwide which have rated us positively. Locally, our album was mentioned as one of the top 45 releases of the year 2017 by Bandwagon. Recently our album was also reviewed by Burrn! Magazine, one of the most popular music and long-running magazines in Japan, receiving a rating of 72 out of 100.

Transcending Obscurity Records is home to various other local bands as well – namely, Rudra, and Ilemauzar. How did the deal with Transcending Obscurity come about, and how has it been working with them so far?

Clarence: The band finished our recording and mixing around July 2016. At that point of time we were sourcing for record labels to release our debut album. I remember it was in mid-August when I had a meet-up with Kathir from Rudra over lunch where I let him listen to the final mix of the album. Kathir was so impressed with the final product that he suggested to me that we write in to Transcending Obscurity for a record deal. Thus I decided write in to Transcending Obscurity, and with Kathir recommendation to Kunal – boss of the record label – the band successfully secured the record deal in September 2016.

The working process with the label has been really good. Kunal is one of the most down-to-earth guys I have ever met, and he has been instrumental in the marketing and PR of the band, which we have greatly benefited for this release.

The Fallen Reich features a much mature sound than the material on the band’s EP, The Exceptions of the Rebellions. Compared to the EP, what was the songwriting process like for the album?

Syaz : Process-wise, I think it’s about the same as how we did for the EP. Whenever anyone of us has an idea for a riff for a verse or a chorus for example, we would share it with the rest of the band and each of us then gave our own input to try and improve and build upon the song.

However, from the start, we all had the vision that we wanted the album to sound more aggressive than the EP. We all feel it’s a natural step to take so I think everyone then did their homework and got into all the aggressive melodic death metal bands that we could think of while in our songwriting mode, and that naturally translated into the material that we composed.

While the melodic death metal edge of the band is still clearly present on The Fallen Reich, there also seems to be a more aggressive tone to the band’s sound, with instances of thrash and black metal thrown around. Who are the influences this time round for the band while writing the album?

Syaz : Bands like Naglfar, Amon Amarth, At The Gates and Kataklysm were our influences for this album as to us, these bands sound aggressive yet melodic. Listening to these bands motivates and challenges us to try and come up with aggressive melodies during our songwriting stage.

Assault @ The Fallen Reich launch

The Fallen Reich features guest appearances from international metal icons such as Freddy Lim of ChthoniC fame and Fufu of Nothnegal. How did you settle on having both of them as guest musicians, and what was it like working with them?

Clarence: The idea of having guest appearances for the album was conceptualised right before we started recording the album. As a fan of both ChthoniC and Nothnegal, the idea of having them as guest musicians came naturally. The guest appearance for Freddy was in my mind for awhile since I got to know him personally in 2008. When I was in Taiwan back in 2012, I had the opportunity to meet him and so I took the chance to invite him to be one of our guest musician for the album which he gladly accepted.

For Fufu of Nothnegal, it was just by chance that the band was invited to perform in Hammersonic Festival in Jakarta back in 2012, and the band invited me to help out with their logistics backstage. At that point of time we had just commenced with our recording, so I asked Fufu about the possibility of recording a guitar solo for one of the songs, which he gladly accepted without any hesitation.

There is a certain anger in the lyrics on The Fallen Reich, both against the system, as well as general anger at the state of modern society. Where does the band draw influences from, and what are the pressing issues that the band is trying to deal with through your lyrics?

Clarence: The majority of the inspiration for the album lyrics actually came from the events that occurred during WWII. Musically as we’re taking a darker approach for this album, I personally felt that the lyrics for this album should focus on a particular event, thus I chose to focus on the holocaust as I felt that the subject suited the band’s darker musical approach. The main objective of the band’s lyrics is to try to to revisit history, as well as target specific issues of modern society.

In support of the album release, the band has also ramped up appearances at local gigs over the last 2 years. Having been in the scene for more than 10 years now, how has the crowd transformed?

Clarence: As per every release cycle, we will be ramping up appearances both locally and overseas. Having been in the scene for more than 10 years, certainly the crowd has transformed over the years. We have seen a younger crowd coming to gigs and supporting the bands through buying their merchandise. The fans nowadays are also more receptive to our music. Also, with technology, fans nowadays are more updated about new releases and shows through social media apps such as Facebook and Twitter.

The band also had the privilege to perform in Mongolia last year at the Noise Metal Festival. How did this happen, and what was the experience like? How is the scene in Mongolia?

Syaz: As with all of our overseas gigs, Clarence is our main point of contact for the band. So when he informed us of the opportunity to perform at Mongolia, naturally we were very much interested in it. The thought of being probably the first Singaporean metal band to perform at Mongolia further motivated us to grasp at the opportunity.

I can say that the scene over there is quite similar to ours in Singapore. In terms of numbers, both are small. Yet both are very dedicated and supportive of each of their local bands. And similarly to Singapore, their local acts specialise in a variety of genres from heavy metal, to brutal death metal to black metal. And all of them are very impressive. Standouts include Karmantic and Growl of Clown. We were very honoured to share the stage with all the bands and we are very sure the scene will continue to grow for both countries.

Of course, being in a foreign country, we also became starry-eyed tourists. We managed to savour their local cuisine and visit their countryside and other places of interests. Overall it was a very positive and eye-opening experience for us.

Assault @ Noise Metal Festival 2017, Mongolia

Assault will be part of the huge lineup this coming 5 May at the Metal United World Wide – Singapore Edition, and will be the first performance of the band with its new lineup. Tell us about the new lineup, and how it came about.

Syaz: The new lineup right now includes our newest member Afi, previously of No Prophecy and Ghostworld. He takes over drum duties from Noh, who now takes over rhythm guitar duties from Yuda, who had to leave the band due to personal commitments.

It actually came about during our planning stages for the Mongolia gig. Noh was unable to join us due to family commitments, so we decided to hire a session drummer. After a few weeks of searching, Afi answered our call and we got to work.

What impresses us the most about Afi is his ferocity and he is not afraid to experiment with different drum patterns. After the Mongolia gig, we kept in contact until the beginning of 2018 where Yuda had to leave the band. After much consideration, we finally settled on this current lineup that you see now.

Assault, 2018

Finally, what can fans look forward to on 5 May, and will there be any sneak preview of new tracks?

Syaz: Fans can expect a new and improved Assault, dishing out melodic, yet in-your-face tunes from our latest album, as well as a few new ones that we have been working on towards our next full length. Trust us, you will not be disappointed!

Catch Assault, and many other quality Singaporean bands this May 5 at the inaugural, Singapore edition of the Metal United World Wide. More details at this location.

MUWW Special: Interview with Deus Ex Machina

Deus Ex Machina is a name that we haven’t heard in awhile, and now they are making their comeback this 5 May at the inaugural Metal United World Wide, Singapore. We catch up with band mastermind Ryan to see what the band has been up to, and what to expect in their homecoming show, and their new material. How will their fascination in tech and science bring their music to the next level?

Hi Ryan, thanks for taking the time for us at Heavy Metal Tribune. It has been awhile since we last spoke to you. What’s been going on at the Deus Ex Machina camp lately?

Hey guys. Well for the last few years a bunch of things have happened. Shai is a proud dad of 2, we have had lineup changes, and now working on new material. We’ve more or else kept the same style, but have changed some things around.

The band recently unveiled its newest lineup, amongst which comprises Bhelliom vocalist Vivek. Could you introduce to us the new lineup, and tell us how it came about?

Long story, but we won’t bore you. There was a break for a couple of years and Mithun went off and now lives in Sweden. Anand’s job was taking time on him and it was not easy for him to juggle the tours, rehearsals and work.

When me and Shai decided to start up again, we decided to go with Vivek – who had already done some shows with us a few years ago. He knows all of us, and I’ve been in other bands with him, so we got him in.

Herman (Out For Blood) was the next to join. We had placed an ad on Facebook, and he wanted to try out. He came. He saw. He jammed. He joined.

And as usual, one drunken night out with some friends and we met Jussi the Finn. We talked, hit it off very well, and we needed a bass player. He has lots of experience and we’ve been working pretty closely since.

Jussi the Finn (bass)

The band in January also unveiled its updated logo. What was the concept behind it, and how does it reflect the present and future of Deus Ex Machina’s music?

We wanted something different. Something unique as opposed to just using fonts to get a logo. It was done by Shai actually.

The band’s performance this May at the Metal United World Wide is the first in a rather long time. What was the reason behind the radio silence, and what made the band decide on its comeback this year?

After we got the full line-up back together last year, fleshing out the new songs came in quick and fast. As a unit, our last performance was in 2012 and it was natural that the urge to showcase this new line-up came along. We feel that this is the one of the best line-ups DEM has had over the last 12 years hence when we were approached to play in MUWW, it was a no brainer really.

With the new lineup and renewed energy, what can fans of the band expect this May 5 from Deus Ex Machina?

We are going to be playing a lot of new songs so it is going to be a great mix of melody, technicality and sheer aggression. We are also working on a special surprise which will be revealed closer to the gig date so watch our FB and Instagram page for further details.

Listening back to the band’s debut album gave me goosebumps, with the progressivity in the musical style, and the lineup of prominent vocalists from the scene. Can fans of the band expect any new material from Deus Ex Machina soon?

Yes you can. We have some teaser rehearsal videos on our Facebook page. Go ahead and have a listen. One thing that stands out are the guitars are de-tuned to A#, and we have some new elements added to the music. Just like I, Human one single vocalist.

It’s great having input from everyone, and the collaboration is pretty damn awesome.

The band’s lyrics have always revolved around science fiction themes. Now that we are near the future with things like AI, IOT, and cryptocurrency, can fans expect to see the inclusion of such technology in the future output of the band?

With Vivek on board, there is a shift towards to the human emotional element angle as his lyrics tend to swing towards those themes. What is interesting which the band explores is the human connection and emotion towards technology/anti-tech and the fine line between virtual reality and life in general.

Personally, what are some of the technology that has fascinated you in recent times, and where do you see the future of science and technology heading towards?

I work in technology, specifically with pharmaceutical companies. With new advances, we are now seeing new procedures and advancement in medical sciences.

With other areas, even in social media, the world is now smaller and advanced more in the last 10 years, than it has in the last 30. SpaceX is exciting, what Tesla is doing is great, medical devices are so much more advanced that micro surgery is now common.

AI will be next wave, and we will be replaced slowly be replaced if this is not under control. Imagine your washing machine telling you to use a specific detergent because it prefers the fragrance, texture, and how it is a great lubricant………….………………

Unfortunately Back To The Future 2 was wrong. WHERE DAFUQ ARE MY FLYING CARS AND AUTO LACE NIKES AND JAWS 35 AND HOLOGRAM MICHAEL JACKSON?????

Catch Deus Ex Machina, and many other quality Singaporean bands this May 5 at the inaugural, Singapore edition of the Metal United World Wide. More details at this location.

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